Katsuhiro otomo biography of barack

Otomo was initially reported in to be working on his first long-form manga since Akira. Although planned to begin in fallOtomo revealed in November of that year that the series had been delayed. At the age of 25, Otomo spent about 5 million yen to make a 16 mm live-action film about an hour long. He said that making this private film showed him roughly how to make and direct movies.

It was while working on this film that Otomo began to think he could do it by himself.

Katsuhiro otomo biography of barack

InOtomo directed an animated katsuhiro otomo biography of barack for the first time: a segment, which he also wrote the screenplay and drew animation for, in the anthology feature Neo Tokyo. He followed this up with two segments in another anthology released that year, Robot Carnival. Inhe directed the animated film adaptation of his manga Akira. Otomo was executive producer of 's Memoriesan anthology film based on three of his stories.

Additionally, he wrote the script for Stink Bomb and Cannon Fodderthe latter of which he also directed. Otomo has worked extensively with the studio Sunrise. Inhe directed the CG short Gundam: Mission to the Rise to celebrate the 20th anniversary of their Gundam franchise. Tokyo Metro Explorers: The Next. The last, is based on Otomo's manga SOS!

Tokyo Metro Explorer and follows the son of its main characters. The animated film Metropolis features a script written by Otomo that adapts Tezuka's manga of the same name. Otomo directed the live-action film Mushishibased on Yuki Urushibara 's manga of the same name. Otomo directed the music video for Aya Nakano 's song "Juku-Hatachi". Reports have suggested that Otomo will be the executive producer of the live-action film adaptation of Akira.

Otomo said that when he started his professional career in the late s, "almost all manga was gekiga like Golgo So it was all gekiga or sports manganothing to do with science fiction. Describing his characterization style, Otomo said he first tried to draw and imitate "very traditional manga-like art," such as Astro Boy. But by the time he was in high school, illustration work by people like Tadanori Yokoo and Yoshitaro Isaka was popular, so he wanted to create manga characters with this illustrative art style.

Otomo includes homages to his favorite childhood manga in his work, and there were three manga authors that he really respected; Osamu TezukaShotaro Ishinomori and Mitsuteru Yokoyama. When asked about his influences in designing the mecha in Farewell to WeaponsOtomo pointed out that Studio Nue 's work was popular at the time, specifically mentioning the powered suit designs by Kazutaka Miyatake and Naoyuki Kato.

He also stated that he is a fan of mecha by Takashi Watabe and Makoto Kobayashi and is fond of those seen in Neon Genesis Evangelionbut explained that all his influences are jumbled and mixed together; "In short, I digest many different things and ideas tend to pop out from that. It was around the publication of his Short Peace short story collection that Otomo's work became influential in Japan.

I don't think there's any room left for further changes. Director Satoshi Konwho worked as an assistant to Otomo in both manga and film, cited Akira and especially Domu as influences. Contents move to sidebar hide. Article Talk. Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item.

Japanese manga artist and filmmaker born Early life [ edit ]. Career [ edit ]. Manga [ edit ]. Film [ edit ]. Otomo's later projects include the sci-fi anime film "Spriggan"directed by Hiroshi Kawasaka. He also co-wrote the screenplay for the animated film "Metropolis"based on Osamu Tezuka's manga. The film was directed by Rintaro and produced by Studio Madhouse.

Otomo's aesthetic draws on the philosophies of the punk movement and the radical comics of Europe and America. His works often explore the lives of marginalized groups, such as teenagers and the elderly. His stories grapple with themes of apocalypse, satire of religious cults, and critiques of contemporary society. Notify me of new comments via email.

Cancel Report. Create a new account. Log In. Browse Biographies. This love of film helped him develop a very visual sense of imagination which would later lend itself to his pursuits in the comics medium. He was a huge fan of American, and especially European comics, which helped him develop his revolutionary realistic style of manga. He moved to Tokyo after leaving high school seeking a job in the newly developing manga industry.

Otomo began his career writing short strips for the Japanese company, Action Comics in October of He received his first headlining strip in with a series of short stories about the seedy dark side of urban life in modern Tokyo. By he began his first serialized manga, "Fireball", also for Action Comics. Though this series would remain unfinished, it served to introduce many of the themes and concepts which he would later develop into the signature elements of his works.

Namely, future dystopian, post-nuclear totalitarian states dominated by supercomputers and people with psychic powers. This theme of man versus technology was something Otomo would return to time and again. It was a serialized manga that ran fromand told the terrifying story of a suburban community controlled by a mysterious being with the ability to telepathically manipulate others.

It was an instant critical and commercial success, and is in print to this day, with an English translation that was published by Dark Horse in Domu won Japan's Science Fiction Grand Prix award inand was the first time the recipient of the award was a manga. It is also significant to note that in he was given his first opportunity to work in the film industry, doing character design for the anime Harmagedon.