Lyubov petrova biography sample

Vladimir Feltsman also had ideas of what he wanted or not to do but mainly he left it all to me, and it was very special. I feel like your interpretations offer understanding on a deeper level that goes past language. So are some of these going to be part of your recital in March at Zaryadye Hall? Yes, most definitely, and with another phenomenal pianist, Rem Urasin.

What does that experience give you creatively? The songs are rather short so you have to create a whole world in two to seven minutes, and it has to be the story, the complete story, so one recital in two sections gives us ten to twelve different worlds in each half, twenty to twenty-four songs all together — so basically I create twenty-four different worlds in one evening.

When you emerge on the other side, what things do you take back into the world of opera? Absolutely I come out different. I know myself much better through this experience, as a musician and a person; I can create more defined characters and go, on a much, much deep level, into the characters I play onstage. I love drama, and I love theatre, and I love opera.

I missed not sharing that side of me with people, and not having that experience. You know, as short as the vocal part in Symphony No. Yes, I know what he means! Photo: Simon Jay Price. I surprised myself at how much I love it. Not that much, only in St. A few pieces are performed here and there, outside, but not really. It goes with my whole philosophy about singing, and the stage, and my profession: I never stop learning!

I am always learning something new, and always trying to make my instrument better. I am constantly finding new ways of approach material and new colours. So Wagner fits in perfectly in with how I see myself as a singer and my job. What does performing contemporary work give you artistically? I am searching for the not-well-known stuff, for things forgotten or for things fallen out of the limelight.

Photo: Chris Kakol. Classical organizations in North America are facing similar issues, if in a more concentrated way. Thank you very much, yes!!

Lyubov petrova biography sample

But also for a musician it takes time and experience to have grown into that. Never stopping. Villa-Lobos's Bachianas Brasileiras suites for eight cellos and soprano were written to honor Bach with Brazilian-influenced melodies and rhythms. And Saint-Saens wrote Carnival of the Animals, a work for 11 instruments, on a lark. He refused to publish it during his lifetime, thinking it would detract from his reputation as a 'serious' composer.

Rare New U. Sung in English. Running time - minutes. With opening night on Friday, October 21,the 55th international season - "Tragic Obsessions" - will showcase compelling works by Donizetti, Janacek, Wagner, Verdi and Mozart, and will include an outstanding Dallas opera-in-concert, important debuts and some of the company's most renowned productions.

Each opera will feature the superbly talented Dallas Opera Orchestra and Dallas Opera Chorus and will be performed in its original language, with English translations projected above the stage at every performance.