Mauro perucchetti biography of donald

All rights reserved. Text, graphics and video content are protected by UK and International Copyright Laws, and may not be copied, reprinted, published, translated, hosted, or otherwise distributed by any means without explicit, written permission. Previous slide Next slide. A pioneer in the use of resin, he is at ease with an endless variety of mediums, embracing techniques from classical methods to totally experimental ones.

Always true to an innate sensitivity for materials and a "classical" sense for aesthetics, his work is always a sensorial experience; stimulating to the eyes and the sense of touch. His techniques embody a quest for perfection combined with urban narrative. Mauro Perucchetti's art takes a critical yet light-hearted approach, relying on symbols to create meaning.

He unites Pop aesthetics with social comment to address some of the most pressing and difficult issues in today's society in a way that is subtle and accessible, without being trite, shocking or obscure. Mauro Perucchetti is, above all, an artist who is connected; he sees the bigger picture and has his finger firmly on the pulse of contemporary society.

Changing course once again, he relocated to London and threw himself into architectural and design work. InPerucchetti sold his design and architectural practice and his home so he could become a full-time artist. Finding contentment in dedicating himself to art - something he felt he had to do - he spent the next three years experimenting with materials before perfecting the formulation of the resin he wanted to use and patenting it.

It was lustrous and transparent, forever changing under different lighting conditions. Like prehistoric insects captured in the sticky ooze of the amber resin that killed them while preserving them, Perucchetti entraps his objects for all time. His work is totally beguiling. It is high-tech, of our time, bright, clean, and utterly original.

With bold, synthetic colours and pristine surfaces, Perucchetti's art appeals to the eyes and to the sense of touch. The 'jelly babies' he has made from onwards show him playing games with childhood associations. In Cloning Factory neat rows of the tiny figures, coloured like blackcurrant and lime, strawberry and orange, are laid out on shelves, with random babies standing up and teetering on the edge.

The message is unsettling, the imagery cute. Perucchetti's bejewelled sculptures challenge consumerism and greed. In Precious Onea life-size female form is encrusted with Swarovski crystals while her head is impaled with syringes. An entire toilet and toilet-roll holder blaze with precious stones in Because You're Worth It ; diamond-studded toilet paper is, as art critic Edward Lucie-Smith suggests, 'as pithy a metaphor as one can imagine for useless, senseless and perhaps injurious luxury'.

With witty elegance Perucchetti moulds heart-shaped perfume bottles which on closer inspection turn out to be hand grenades; similarly, giant lipsticks turn out to be warheads. Perucchetti takes society to task for its ridiculous preoccupation with brand names, he attacks distortion of religion, jokes about recycling and addresses addiction.

He engages with social concerns without moralising and without the anger of many of his contemporaries, revitalising recurrent themes with new treatments, as in the 'Iconic Slab' series of Asked in early why he makes art, he explained: 'I wish I could be a politician to govern fairly, a religious leader to guide pragmatically and a powerful entrepreneur to serve as an example and inspiration to others, but I can't.

Changing course once again, he relocated to London and threw himself into architectural and design work, designing unique homes and a car which was invited to show at the The London Car Show in at Earls Court in Kensington. His first major body of work which was instigated by the medical research of that time on Cloning, explored the dilemma between Cloning and religion and medical ethics.

Perucchetti decided to use Jelly Babies as a representation of cloned human beings. This required the use of mauro perucchetti biography of donald, and when Perucchetti discovered that no company in the world was able to undertake such a project due to its scale, which was deemed technically impossible, he embraced the challenge and, after much experimenting and breaking new grounds with what is physically feasible with that material he developed a system and designed the machines which would make this possible.

Perucchetti has taken part in numerous art fairs and, inwas invited to present three monumental works at Rome's first-ever Roma Biennale of outdoor sculpture, the Rassegna Internazionale di Scultura di Roma. On Sky Arts television, it was selected for the 'Objects of Desire' series as one of the world's most coveted items. Entitled UNICUMPerucchetti created a body of work that spanned two decades and was an abstract interpretation of surfaces that he created with pigmented resin in its purest form, demonstrating the incredible ability to express color, light, and form.

Perucchetti has pushed the boundaries as a painter and Sculptor and continues to explore innovative mediums that he creates like an alchemist. Louis, Missouri, USA. I had the pleasure and honor of asking Mauro about what drives him to create, does he have other interests that are not art-related that impact how you create art and so much more.

I had the pleasure and honor of asking Mauro about what drives him to create, whether he has other interests that are not art-related that impact how he makes art, and so much more.

Mauro perucchetti biography of donald

Since my early days, I wanted to be unique and became obsessed with creating art with new and unexplored techniques, which is a tall order considering how many creative people populate this world. When I sculpt marble, for example, I use contemporary subjects but implement the oldest hand-carving techniques, which I admire. Nothing new there, as the only NEW would be using computers and that would kill it for me.

With painting, I definitely use very personal techniques and work with materials that I tend to concoct, thanks to years of experimenting behind me. Pigmented resin, though, is my signature medium. This is a material that, until recently, was unexploited in the art world and notoriously difficult to work with on a large scale. The Italian Arte Povera movement, founded intook over ideas from American Minimalism and Conceptual Art and used them as the basis for a powerful social critique that was not to be found in the transatlantic originals.

The works in this show have a studied elegance which seems, to use the adjective in a loose sense, very Italian. But they also make pithy comments on a wide range of moral issues. Artnetopens in a new tab. Artsyopens in a new tab. Instagramopens in a new tab. Facebookopens in a new tab. Youtubeopens in a new tab. Twitteropens in a new tab.

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