Badal sarkar biography of rory

He revolutionized Bengali theatre through his works. His plays deeply reflected the atrocities that prevailed in the society and decayed hierarchical system. His "Third theatre" movement was well known. Your Name. Your Email. Update Maximum characters. Type all the shown characters Can't see? Views: Bombay Gnanam Views: Laxman Views: In the turbulent period of Bengal in the late s and s, marked by the impact of the Naxalbari uprising and severe repression, Sircar arrived at a new theatrical idiom, taking theatre beyond the proscenium stage, to the common people.

He established the theatre group Shatabdi inand with its repertoire of anti-establishment plays, Shatabdi toured the Bengal countryside, braving state terror and armed brigades of state-sponsored goons. Theatre activists and groups like Yuvaneeti of the ML movement in the Hindi-speaking states drew great inspiration and support from Badal Sircar.

He often visited Allahabad and other places, holding workshops, meeting young activists and offering advice and support. Breaching the barriers of region and language, they spoke and continue to speak to ordinary Indians — of struggles and suffering, of exploitation and resistance, of common concerns and questions that continue to resonate even today.

Badal Sircar was not among those who enjoyed a cosy or pampered relationship with power. He neither sought nor received support or recognition either from the West Bengal Government or the Centre. He twice rejected the Padma Bhushan — the last time in The city I was born in and raised in. An artificial city created in the colonial interests of a foreign nation.

A monster city that grew by sucking the blood of a vast rural hinterland which perhaps is the true India. A city of alien culture based on English education, repressing, distorting, buying, promoting for sale the real culture of the country. A city I hate intensely. A city I love intensely. None of the Satabdi members are paid anything.

They work in banks, schools, offices, factories; they assemble in evenings exhausted by loveless work and sardine-packed public transport; they have to disperse early for long journeys, many by scandalously irregulars suburban trains. July, Plays in translation [ edit ].

Badal sarkar biography of rory

See also [ edit ]. References [ edit ]. Live Mint. Indian Express. The Times of India. Archived from the original on 11 August Financial Express. Theatres of independence: drama, theory, and urban performance in India since University of Iowa Press. ISBN Columbia University Press. Swann; Phillip B. Zarrilli Indian theatre: traditions of performance.

Motilal Banarsidass. The Cambridge guide to Asian theatre. Cambridge University Press. Perspectives and challenges in Indian-English drama. Atlantic Publishers. Muffled voices: women in modern Indian theatre. Har-Anand Publications. Jawaharlal Nehru Memorial Fund. Archived from the original on 13 June The Hindu. Badal Sircar, also known as Badal Sarkar, was an influential Indian dramatist and theatre director, most known for his anti-establishment plays during the Naxalite movement in the s and taking theatre out of the proscenium and into public arena, when he founded his own theatre company, Shatabdi in He wrote more than fifty plays of which Ebong Indrajit, Basi Khabar, and Saari Raat are well known literary pieces, a pioneering figure in street theatre as well as in experimental and contemporary Bengali theatre with his egalitarian "Third Theatre", he prolifically wrote scripts for his Aanganmanch performances, and remains one of the most translated Indian playwrights.

Though his early comedies were popular, it was his angst-ridden Ebong Indrajit that became a landmark play in Indian theatre. We're doing our best to make sure our content is useful, accurate and safe. If by any chance you spot an inappropriate comment while navigating through our website please use this form to let us know, and we'll take care of it shortly.