Robert wilson artist wiki

ParkerPennsylvania. BrooklynNew York. Biography [ edit ]. Career [ edit ]. Bibliography [ edit ]. References [ edit ]. American Art Annual, Volume MacMillan Company. The New York Times. Retrieved 28 January Harper's Magazine. Until the Day Break: a novel. By he had gathered a group of artists known as The Byrd Hoffman School of Byrds, and together they worked and performed in a loft building at Spring Street in lower Manhattan.

In Wilson received international acclaim for Deafman Glance Le Regard du Sourda silent opera created in collaboration with Raymond Andrews, a talented deaf-mute boy whom Wilson had adopted. After Einstein, Wilson increasingly worked with European theaters and opera houses. Created in collaboration with an international group of artists, Wilson planned this opera as the centerpiece of the Olympic Arts Festival in Los Angeles.

Although the full epic was never seen in its entirety, individual parts have been produced in the United States, Europe and Japan. Wilson has collaborated robert wilson artist wiki a number of internationally acclaimed artists, writers, and musicians. With such an emphasis on movement, Wilson even tailors his auditions around the necessity of it.

In his auditions, "Wilson often does an elaborate movement sequence" and "asks the actor to repeat it. I was mystified by the whole process". During the scene at table all I did was count movements. All I thought about was timing. When it comes time to add the text in with movement, there is robert wilson artist wiki much work to be done.

Wilson pays close attention to the text and still makes sure there is enough "space around a text" for the audience to soak it up. His overall goal is to have the rhythm of the text differ from that of the movement so his audience can see them as two completely different pieces, seeing each as what it is. We have to check your scripts to see if you put the numbers in the right place.

I know it's hell to separate text and movement and maintain two different rhythms. It takes time to train yourself to keep tongue and body working against each other. But things happen with the body that have nothing to do with what we say. It's more interesting if the mind and the body are in two different places, occupying different zones of reality.

These rhythms keep the mind on its toes, consciously and subconsciously taking in the meanings behind the movement and how it is matching up with the language. Similar to Wilson's use of the lack of language in his works, he also sees the importance that a lack of movement can have. In his production of MedeaWilson arranged a scene in which the lead singer stood still during her entire aria while many others moved around her.

Wilson recalls that "she complained that if I didn't give her any movements, no one would notice her. I told her if she knew how to stand, everyone would watch her. I told her to stand like a marble statue of a goddess who had been standing in the same spot for a thousand years". Wilson believes that "the most important part of theatre" is light.

He feels that the lighting design can really bring the production to life. I paint, I build, I compose with light. Light is a magic wand. Wilson is "the only major director to get billing as a lighting designer" and is recognized by some as "the greatest light artist of our time". He is a perfectionist, persisting to achieve every aspect of his vision.

A fifteen-minute monolog in Quartett took two days for him to light while a single hand gesture took nearly three hours. His response was that "the world is a library", and therefore every artist is free to borrow from other artists. Wilson's interest in design extends to the props in his productions, which he designs and sometimes participates in constructing.

Whether it is furniture, a light bulb, or a giant crocodile, Wilson treats each as a work of art in its own right. He demands that a full-scale model of each prop be constructed before the final one is made, in order "to check proportion, balance, and visual relationships" on stage. No, Jeff, I want wood chairs. If we make them out of aluminum, they won't sound right when they fall over and hit the floor.

They'll sound like metal, not wood. It will sound false. Just make sure you get strong wood. And no knots. Such attention to detail and perfectionism usually resulted in an expensive collection of props. He collaborated with artist Bettina WitteVeen on an exhibition space based on her photography book "Sacred Sister. The exhibition space was set up in at Art Basel Miami Beach, and was also composed of layers of autumn leaves on the floor of a studio.

Wilson is represented exclusively and worldwide by RW Work, Ltd. Originally styled as "a laboratory for performance", The Watermill Center operates year-round artist residencies, public education programs, exhibitions, and performances. The center is situated within a ten-acre 4. The Jury of the fifth Europe Theatre Prize has unanimously awarded the Prize to Robert Wilson in recognition of his thirty years' work aimed at creating a personal reinvention of scenic art that has overturned the temporal dimension and retraced the spatial one.

He refused to render a mere production of reality and offered an abstract or informal vision of the text and also redefined the roles, whenever possible, through global intervention in the creation of his performances where he was author, director, performer, scenographer and magic light designer. Architect by profession, the artist pursued an indisciplinary language that did not ignore the visual arts in enhancing the importance of the image and, restoring the support of music, he approached dance and simultaneously attempted to find a pure harmonious value in the spoken word, in an ideal tension towards a form of total theater.

It has been said that his works can be considered part of a single opus in continual evolution that constitutes the synthesis. During his career Wilson has confronted himself with different genres and drawn them closer thanks to the conformity of language. He has dedicated himself to teaching non theatrical literary works often adapted into monologs interpreted by eminent actors, such as Madeleine Renaud and Marianne Hoppe.

He has ventured into the production of opera and ballet, he has created musicals sui generis in collaboration with illustrious emerging personalities, he has promoted performances especially with Christopher Knowleshe has directed spectacular fashion parades. His prolific activity as designer and visual artist can be seen in his paintings, sculptures, installations, graphic works, exhibitions.

He was awarded the major prize at the Venice Biennale. Nothing new can be achieved without changing the conceptions of organization. He was a decisive promoter of coproduction of festivals since the '70s, of the creation of prototype-performances that could be translated in various nations with new casts, and also of the creation of serial works to be completed later in production studios.

Thanks are due to him for the embrace between different nations, languages, styles and traditions. Even when using bigger and bigger and more and more international teams of collaborators Wilson has never renounced making his own imprint of perfectionist in a developing opera. He has to be accredited with the Watermill Centrecenter of experimentation and training where his work as a teacher has helped him in retain an inexhaustible flow of fresh ideas from the contact with the young people.

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Robert wilson artist wiki

Read Edit View history. Tools Tools. Download as PDF Printable version. In other projects. Wikimedia Commons Wikidata item. American stage director and playwright born Waco, TexasU. Early life and education [ edit ]. Career [ edit ]. Theater [ edit ]. Visual art and design [ edit ]. Personal life [ edit ].